William Buckle, Untitled (Sand Dunes at Dusk), 1938-1946. Thank you, firsttimeuser.
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Tarthang Tulku: Stories and Patterns
Sitting quietly, let the mind involve itself in the stories that flow through consciousness. Notice the dynamic that powers each story: the concerns and desires, worries and distractions. As you become more familiar with these patterns, look for second-level stories that support the stories on the surface; for instance, stories about who you are and what you stand for, or stories that make sense of longstanding patterns or conditions. Notice which stories refer more to the past and which to the future. How does the `objective’ time that measures out events and sequences figure in the stories you tell? Is it a minor character? Does it have a role to play at all? …
As you become familiar with the stories you typically tell, you will notice how many of them express a characteristic negativity. There are stories that explain inaction or justify distraction, that feed daydreams of escape, excuse failures, and calm fears. There are other stories that fuel anxiety and intensify concern. Pay close attention to the patterns of the stories that you typically tell, looking for those that consistently repeat themselves. Can you touch the energy bound up in those stories? Can you release it?
From astroinquiry.
(Source: frederickwoodruff)
Olive Cotton, Tea cup ballet, 1935. Thank you, firsttimeuser.
Henry David Thoreau. Thank you, ancoraimparo.
To see is to forget
the name of the
thing one sees.
Paul Valery, Poet / Philosopher (1871 - 1945). Thanks to the Tao of Photography.
A human being is rather like a tune; he has various notes in his emotions, in his thoughts, in his life.
If we don’t change the direction we are headed, we will end up where we are going.
Chinese Proverb. Epigraph from Nineteen Minutes by Jodi Picoult (via epigraphic)
Chris Morley, Morning Glory by Thank you, sharanam.
Michael Kenna from the series Silent World. Thank you, arsvitaest & benjaminhilts.
