André Kertész, En haut de la Tour Eiffel [Up High in the Eiffel Tower, 1929. From arsvitaest.
track One of These Days
artist Bill Frisell
album Nashville

Bill Frisell | One of These Days (Neil Young Cover) from the album, Nashville.

André Kertész, Still life, 1972. Again, thank you, arsvitaest.

André Kertész, Still life, 1972. Again, thank you, arsvitaest.

André Kertész, L’Académie Française, 1929. Anything by Kertész is pretty much an instant reblog around these parts. Thank you, arsvitaest.

André Kertész, L’Académie Française, 1929. Anything by Kertész is pretty much an instant reblog around these parts. Thank you, arsvitaest.

Mu Qi: 13th Century   , Ink on Paper
“(Six Persimmons is) passion… congealed into a stupendous calm.” – Arthur Waley.
Thank you, yama-bato.

Mu Qi: 13th Century , Ink on Paper

“(Six Persimmons is) passion… congealed into a stupendous calm.” – Arthur Waley.

Thank you, yama-bato.

Only the day dawns to which we are awake.
André Kertész, Daisy Bar, Montmartre, 1930. Thanks to, so30s via: RMN

André Kertész, Daisy Bar, Montmartre, 1930. Thanks to, so30s via: RMN

the radical of poetry lies not in the
resolution of doubts but in their proliferation
C.D. Wright, Cooling Time: An American Poetry Vigil (Thank you escapeintolife & aperfectcommotion)

(Source: mythologyofblue, via escapeintolife)

Alfred Stieglitz, Gable and Apples, 1922. Thank you, luzfosca &darksilenceinsuburbia.

Alfred Stieglitz, Gable and Apples, 1922. Thank you, luzfosca &darksilenceinsuburbia.

(via luzfosca)

The world is infinitely more interesting than any of my opinions concerning it.