Aenne Biermann (German, 1898-1933) Rubber Tree, ca. 1927. Gelatin silver print. Thank you, theshipthatflew.
Why should we move to find
Countries and climates of another kind?
What exile leaves himself behind?
Horace. Thank you, The Floating Library
Dave Glass, Ananda Temple, Bagan, Burma, 1986. Thank you, luzfosca & newamsterdamlemonade .
(via luzfosca)
William Garnett, An Aerial Aesthetic: Sand Bars And Sailboat, Cape Cod, Massachusetts, 1966.
Wow. Thank you, uncertaintimes & gmtPlus9 (-15)
Amedeo Modigliani (Italian, 1884-1920) - Seated Woman in Blue Dress, 1918. Oil on canvas. Thank you, amare-habeo.
I’m suggesting that if you try to touch the self, it will be the same difficulty as trying to touch the rainbow. We have a representation of the self, which is really arising in a process. We don’t know this process very well; but the attempt to treat the self as an object is just not going to mean anything. So instead, suppose we say that this self is UNKNOWN. Its origin, its ground is UNKNOWN. and it is constantly revealing itself, through each person or through nature or through various other ways.
David Bohm, Thought as a System, p. 173 (via sharanam)
(Source: thinkg.net, via sharanam)
The Perfect Storm. Thank you, nevver.
The trouble is,
you think you have time.
Gautama Buddha (Thank you, couleurs & redcolobus)
As soon as you see something, you already start to intellectualize it. As soon as you intellectualize something, it is no longer what you saw.
Shunryu Suzuki-Roshi 鈴木 俊隆 (1904-1971), founder of the San Francisco Zen Center. Thank you, Fernwood Zendo.
Pouran Jinchi, Morning 6, 2009, Waxed charcoal and pencil on Rice paper, 45.7 x 45.7 cm. Thanks to yamo-bato for the discovery.
