Every day is a journey, and the journey itself is home.
Matsuo Bashō, Oku no Hosomichi (via liquidnight)
Sibylle Bergemann, “Untitled,” The Polaroids series. Beautiful. Thank you, melisaki.

Sibylle Bergemann, “Untitled,” The Polaroids series. Beautiful. Thank you, melisaki.

We can speak without voice to the trees and the clouds and the waves of the sea. Without words they respond through the rustling of leaves and the moving of clouds and the murmuring of the sea.
Paul Tillich (Thank you, libraryland)
Karl Struss (Nov. 30, 1886 - 1981), who studied with Clarence White, was known for the  complex  tonalities of his platinum prints. His work was represented in  Alfred  Stieglitz’s important “International Exhibition of Pictorial   Photography” in Buffalo, New York, in 1910. Two years later he became a   member of the Photo-Secession and was featured in Stieglitz’s journal, Camera Work.
Rhythm by Karl Struss - from Photograms of the Year, 1921
Thank you, i12bent.
(via billyjane)

Karl Struss (Nov. 30, 1886 - 1981), who studied with Clarence White, was known for the complex tonalities of his platinum prints. His work was represented in Alfred Stieglitz’s important “International Exhibition of Pictorial Photography” in Buffalo, New York, in 1910. Two years later he became a member of the Photo-Secession and was featured in Stieglitz’s journal, Camera Work.

Rhythm by Karl Struss - from Photograms of the Year, 1921

Thank you, i12bent.

(via billyjane)

When the Lord commanded us to be vigilant, he meant vigilance in both parts of man: in the body, against the tendency to sleep; in the soul, against lethargy and timidity.
St. Ephrem (Thank you, quaerere-deum)

(Source: quaerere-deum)

You will only grab hold of concepts if you follow the storyline.
—Sayadaw U Tejaniya
(Photo by Hor Tuck Loon, whose writing can be found at beyond the world.)
And if you don’t already, please go follow dhammaeverywhere!
Thank you, sharanam.

You will only grab hold of concepts if you follow the storyline.

Sayadaw U Tejaniya

(Photo by Hor Tuck Loon, whose writing can be found at beyond the world.)

And if you don’t already, please go follow dhammaeverywhere!

Thank you, sharanam.

Damn, these carrots are astonishing. Photo by Charles Jones, “Carrots,” 1902. Thank you, melisaki.

Damn, these carrots are astonishing. Photo by Charles Jones, “Carrots,” 1902. Thank you, melisaki.

>

Silence | Sounds: White Spaces (extract) by Paul Auster

“To think of motion not merely as a function of the body but as an extension of the mind. In the same way, to think of speech not as an extension of the mind but as a function of the body. Sounds emerge from the voice to enter the air and surround and bounce off and enter the body that occupies that air, and though they cannot be seen, these sounds are no less a gesture than a hand is when outstretched in the air towards another hand, and in this gesture can be read the entire alphabet of desire, the body’s need to be taken beyond itself, even as it dwells in the sphere of its own motion. 


On the surface, this motion seems to be random. But such randomness does not, in itself, preclude a meaning. Or if meaning is not quite the word for it, then say the drift, or a consistent sense of what is happening, even as it changes, moment by moment. (…) 

In the realm of the naked eye nothing happens that does not have its beginning and its end. And yet nowhere can we find the place or the moment at which we can say, beyond a shadow of a doubt, that this is where it begins, or this is where it ends. For some of us, it has begun before the beginning, and for others of us it will go on happening after the end. Where to find it? Don’t look. Either it is here or it is not here. And whoever tries to find refuge in any one place, in any one moment, will never be where he thinks he is. In other words, say your good-byes. It is never too late. It is always too late. 

To say the simplest thing possible. To go no farther than whatever it is I happen to find before me. To begin with this landscape, for example. Or even to note the things that are most near, as if in the tiny world before my eyes I might find an image of the life that exists beyond me, as if in a way I do not fully understand each thing in my life were connected to every other thing, which in turn connected me to the world at large, the endless world that looms up in the mind, as lethal and unknowable as desire itself. (…) 

Consider the word “it.” “It” is raining, we say, or how is “it” going? We feel we know what we are saying, and what we mean to say is that it, the word “it,” stands for something that need not be said, or something that cannot be said. But if the thing we say is something that eludes us, something we do not understand, how can we persist in saying that we understand what we are saying? And yet it goes without saying that we do. The “it,” for example, in the preceding sentence, “it goes without saying,” is in fact nothing less than whatever it is that propels us into the act of speech itself. And if it, the word “it,” is what continually recurs in any effort to define it, then it must be accepted as the given, the precondition of the saying of it. (…) 

It happens, and as it continues to happen, we forget where we were when it began. Later, when we have traveled from this moment as far as we have travelled from the beginning, we will forget where we are now. Eventually, we will all go home, and if there are those among us who do not have a home, it is certain, nevertheless, that they will leave this place to go wherever it is they must. If nothing else, life has taught us all this one thing: whoever is here now will not be here later. 

I dedicate these words to the things in life I do not understand, to each thing passing away before my eyes. I dedicate these words to the impossibility of finding a word equal to the silence inside me. (…) 

I realize in the end that I am probably powerless to affect the outcome of even the least thing that happens, but nevertheless, and in spite of myself, as if in an act of blind faith, I want to assume full responsibility. (…)” 

Paul Auster from Disappearances – Selected Poems (1988)

Ah yes! Thank you, silencesounds.

Hypnos, the Greek personification of sleep. Thank you, lunar-danse, sugarmeows & b-sides.

Hypnos, the Greek personification of sleep. Thank you, lunar-dansesugarmeows & b-sides.

Tao Te Ching Verse 10

Can you coax your mind from its wandering 
and keep to the original oneness?
Can you let your body become
supple as a newborn child’s?
Can you cleanse your inner vision 
until you see nothing but the light?
Can you love people and lead them
without imposing your will?
Can you deal with the most vital matters
by letting events take their course? 
Can you step back from you own mind
and thus understand all things?

Giving birth and nourishing, 
having without possessing,
acting with no expectations,
leading and not trying to control:
this is the supreme virtue.

—Tao Te Ching

Tall order isn’t it?

Thanks to Bamboo and Plum Blossoms.