Crashingly Beautiful

About

My name is Luke Storms. This is my personal commonplace book that contains quotes, passages, pictures and music from a variety of sources that I find inspiring and encouraging.

It's also an extension of my writing blog, Intense City, where I post my freelance work, write a bit of poetry, dabble in flash fiction and keep a journal of my own personal search.

One more thing: I love the words, “crashingly" and "beautiful” when they are put together, even though spell check doesn’t.

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ontheborderland:

In February 2006, a copy of Steichen’s early pictorialist photograph, The Pond-Moonlight (1904), sold for what was then the highest price ever paid for a photograph at auction, U.S. $2.9 million. Steichen took the photograph in Mamaroneck, New York near the home of his friend, art critic Charles Caffin. The photo features a wooded area and pond, with moonlight appearing between the trees and reflecting on the pond. While the print appears to be a color photograph, the first true color photographic process, the autochrome process, was not available until 1907. Steichen created the impression of color by manually applying layers of light-sensitive gums to the paper. In 1904, only a few photographers were using this experimental approach. Only three known versions of the Pond-Moonlight are still in existence and, as a result of the hand-layering of the gums, each is unique. In addition to the auctioned print, the other two versions are held in museum collections. The extraordinary sale price of the print is, in part, attributable to its one-of-a-kind character and to its rarity. (via ghoulnextdoor: Wikipedia)
Gorgeous!

ontheborderland:

In February 2006, a copy of Steichen’s early pictorialist photograph, The Pond-Moonlight (1904), sold for what was then the highest price ever paid for a photograph at auction, U.S. $2.9 million. Steichen took the photograph in Mamaroneck, New York near the home of his friend, art critic Charles Caffin. The photo features a wooded area and pond, with moonlight appearing between the trees and reflecting on the pond. While the print appears to be a color photograph, the first true color photographic process, the autochrome process, was not available until 1907. Steichen created the impression of color by manually applying layers of light-sensitive gums to the paper. In 1904, only a few photographers were using this experimental approach. Only three known versions of the Pond-Moonlight are still in existence and, as a result of the hand-layering of the gums, each is unique. In addition to the auctioned print, the other two versions are held in museum collections. The extraordinary sale price of the print is, in part, attributable to its one-of-a-kind character and to its rarity. (via ghoulnextdoor: Wikipedia)

Gorgeous!



Reblogged from On the Borderland.

October 29, 2009, 3:26pm  Comments

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